Kamuflase

Purpose: This paper aims to examine more deeply the implementation of meaning camouflage events on textual execution compositions. Janu Janardhana as composer “Camouflage”, interpreted event changing colors, attitudes and shapes according time place. Research methods: The author chooses a qualitative method because phenomena experienced by subject (composer) can be described holistically, writer is Camouflage's work itself. With methods, authors know about how rhythm, tone, melody, tempo, dynamics, timbre composition structure that occur in animals. Results discussion: Camouflage musical for gamelan uses Balinese characteristics main material cultivating intramusical aspect. referred are waves variety tuning systems found gamelan. various types waves, namely, slow contributor, pengumbang, bugger, pengejer, siep achieved one piece utilizing saih / varieties are, ageng (gong gede pitu), madya (gamelan semaradhana), alit semara pegulingan). Implication: In extramusical terms, music inspired biological phenomenon animals called camouflage. For example, color changes made chameleons octopuses when moving, color, attitude, shape skin cianea octopus threatened predators.